CELEBRATE GOOD TIMES.
a righter rain will fall, the knock-it-outta-the-park remix rework of the skin, the sea, the sound, has officially launched.
The album features Troy Herion, Lushlife, Papertwin, Cassandra Jenkins (Eleanor Friedberger), Anthony LaMarca (St. Vincent, The War On Drugs), Sleepers Work, Gutter Sparrow, Matt Davis, and Chris Ward of Pattern Is Movement, and will be unveiled song-by-song, week-by-week through July, August, and September of 2014.
Things kick things off with Troy Herion‘s full album remix. That’s right – he took the ENTIRE RECORD and compressed it into a 4:53 overture. It’s nuts.
Go here to hear.
Then crank it up and do a dance.
Finally, in celebration of all this remix glory, for the next nine weeks the skin, the sea, the sound – Limited Edition Vinyl will on sale for a mere 12 smackers. What the what?! Get ’em while they’re hot.
Be well, friends, enjoy, and check back each week for new remixes.
A host of extraordinary and suitably hard-to-classify artists have sliced, diced, turned upside down and all around each individual track of the skin, the sea, the sound, and are waiting in the wings with a righter rain will fall, a remix album of profound beauty, charm, surprise, and groove. The album will be unveiled song-by-song, week-by-week through July and August of 2014.
Remixers hail from wildly different musical worlds: from hip-hop luminaries to crackerjack composers, from adroit jazz improvisors to electronica gurus and dreampop chill-wave shoegazers; it’s a reimagining in the fullest sense of the word.
Featuring Lushlife, Papertwin, Cassandra Jenkins (Eleanor Friedberger), Anthony LaMarca (St. Vincent, The War On Drugs), Sleepers Work, Gutter Sparrow, Matt Davis, Chris Ward of Pattern Is Movement, and Troy Herion. Artwork by Ben Stamper.
This day was a perfect day
Leaves fell, I forgot myself…
Edward Plumb, Frank Churchill, Paul Smith, Oliver Wallace: names from a bygone era of cinematic orchestration, the zenith of which seemed the near-exclusive purview of Walt Disney Pictures. Bambi, Cinderella, Pinocchio, Alice In Wonderland, Snow White and the Seven Dwarves – these scores followed a now faintly remembered rubric governing the relationship between music and image. Conversations between winds, brass, and strings mirrored the dialogue of Bambi’s unsure legs and a frozen forest lake, or the happy bustle of mice and birds cutting and sewing fabric for Cinderella’s surprise dress. The responsibility of telling a story was volleyed back and forth between screen and score, while worlds opened up in a wholehearted embrace of wonder and whimsy.
Playfulness is important. We forget ourselves.
This past autumn, I was brought in to write orchestral arrangements for a new Shaking Through episode featuring Cassandra Jenkins. Upon hearing the demo of “Perfect Day”, it was immediately clear that Cassandra and I (and Sam Owens, who co-wrote the song and offered some of the initial arrangement ideas) shared a deep fondness for the lush whimsy and gestural flourishes that so characterized the type of orchestration referred to above (and as it turns out we’re all total suckers for Debussy and Van Dyke Parks). With this is mind and in ears, I set to work.
I love working with artists of all stylistic and aesthetic persuasions, but it’s a particular treat when approaches and musical proclivities overlap to the extent that they did with Cassandra and Sam. The fruit of our collaboration is finally available for public enjoyment. Click here to listen to ‘Perfect Day’. As with the afore-posted “Toynbee Suite”, all arrangements were brought into vibrant and sparkling existence by the brilliant Dark Horse Orchestra. Click below to view the pair of stunning videos from Weathervane Music.