Perfect Day

This day was a perfect day
Leaves fell, I forgot myself…

Edward Plumb, Frank Churchill, Paul Smith, Oliver Wallace: names from a bygone era of cinematic orchestration, the zenith of which seemed the near-exclusive purview of Walt Disney Pictures. Bambi, Cinderella, Pinocchio, Alice In Wonderland, Snow White and the Seven Dwarves – these scores followed a now faintly remembered rubric governing the relationship between music and image. Conversations between winds, brass, and strings mirrored the dialogue of Bambi’s unsure legs and a frozen forest lake, or the happy bustle of mice and birds cutting and sewing fabric for Cinderella’s surprise dress. The responsibility of telling a story was volleyed back and forth between screen and score, while worlds opened up in a wholehearted embrace of wonder and whimsy.

Playfulness is important. We forget ourselves.

This past autumn, I was brought in to write orchestral arrangements for a new Shaking Through episode featuring Cassandra Jenkins. Upon hearing the demo of “Perfect Day”, it was immediately clear that Cassandra and I (and Sam Owens, who co-wrote the song and offered some of the initial arrangement ideas) shared a deep fondness for the lush whimsy and gestural flourishes that so characterized the type of orchestration referred to above (and as it turns out we’re all total suckers for Debussy and Van Dyke Parks). With this is mind and in ears, I set to work.

I love working with artists of all stylistic and aesthetic persuasions, but it’s a particular treat when approaches and musical proclivities overlap to the extent that they did with Cassandra and Sam. The fruit of our collaboration is finally available for public enjoyment. Click here to listen to ‘Perfect Day’. As with the afore-posted “Toynbee Suite”, all arrangements were brought into vibrant and sparkling existence by the brilliant Dark Horse Orchestra. Click below to view the pair of stunning videos from Weathervane Music.

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